Meal and Real
Recognized classic of American cinema, screenwriter and director Billy Wilder simply cannot help but touch on the subject on the American media system. Inviting the gorgeous Kirk Douglas and creating another striking, unique image of the imposing correspondent, Wilder is filming a grandiose, emotional, ironic and also pressing film performance.
The selfish unscrupulousness from the modern American press appears available as a collective picture of a true master of the pen, trying to comprehend his irrepressible ambitions, who have devoted his life to the search for unique material. With sparkling eyes and without a shadow of doubt, he fearlessly walks through the dilapidated mine, just to be the initial to acquire a date while using one who can’win’him the Pulitzer Prize – using the unfortunate miner, imprisoned by the need of fate inside a cramped opening regarding the fallen stones.
Taking command over the problem, subjugating the flow of real information, turning the reportage in to a national tragedy – for this kind of person you’ll find nothing impossible on the subject of the goal of his life. As somebody who is ancient prophet, he broadcasts to the recorder the truth that their own vanity demands of him.
Like bees flocking to sugar syrup, sites.google.com an audience of afflicted people strives to get to an original attraction. Theater, baseball, cinema – no! The fight for lifetime is the ideal show using an unpredictable ending. The present day collision, who has opened its arena in ab muscles center of prosperous America, has grown to be for lots of people a local store from an uneventful, routine existence. Carousels, stalls with hot dogs, sun loungers against the backdrop of rescue equipment – a person’s drama inevitably develops into a booth
Delicately mocking the bunch, Billy Wilder appears to plunge the regular American into his very own ignorance, simultaneously explaining to him the basic truths with the monstrosity of these an attitude to human tragedy, reproaching him for idle curiosity, passive compassion, and predictable reactions for the clever and timely steps of an vain correspondent.
Finding yourself in the center of events, the hero of Kirk Douglas unwittingly involves himself in the toughest confrontation – confrontation with himself. The invisible scales of conscience, once frozen at the condition of pathological egocentrism that outweighed decency, set out to slowly hesitate when selecting the bitter fate of a genuine worker, regarding his ungrateful passion, with a type, naive old man, father and unhappy mother. At some point, he can no longer cope together with the sincere compassion which has awakened in him. And even more importantly, as to the for way too long and persistently led his hero Billy Wilder, that is obvious from the very beginning – he needs to understand into what insignificance he turned himself over these long years, that no power and funds may be put above human life.